However, one wonders if the plot grabs Nepali audiences more used to salacious fare on tv and the Net. But that is the whole point for director Nabin Subba, of Numafung fame: “Our politics today has not been able to address the ordinary people’s concerns, whether it is air pollution, roads, or health. We are trying to show what is possible, something to be inspired by. How can Nepal achieve good governance? If leaders and government put people first, it can be done.”
Gauri Malla, who plays Prime Minister Singh, says it may take another decade or so for Nepal to have a female prime minister, and adds that the serial is not trying to portray reality, but the aspirations of the people regarding politics.
“What would I want my prime minister to be like? I want her to be able, wise, charismatic, and want her to prioritise the people above everything. That is how I approach the PM’s on-screen persona,” Malla told us while on the sets of a forthcoming episode this week.
Prime Minister Singh is a civilised, soft spoken, almost demure, leader – a far cry from the chest-thumping alfa males who prowl the real Singha Durbar. Singh succeeds in finding solutions to knotty national crises like air pollution, food security, education, unemployment through behind-the-scenes lobbying. She even gets the Health Bill passed — something Govinda KC has not been able to do in the actual Nepal.
Singha Durbar dares to dream of a democratic Nepal where leaders are answerable to the people and who believe in service and performance. Singh has to fight to keep her coalition intact, and in doing so proves that clinging to power can have a positive connotation when there is a mission to be accomplished.
The production (funded by USAID, UN agencies in Nepal, and the Nepali diaspora) is unabashedly idealistic, but Singh is not averse to playing a few political games herself, bargaining here and compromising there. Her negotiation style is decent, however, and tame compared to the dog-eat-dog ways of her rivals. Nothing seems to corrupt Singh: when someone tells her that the party is greater than the individual, she replies that the country is greater than the party. Applause.
The script, cast and storyline all portray an inclusive Nepal. The Prime Minister’s personal secretary is a Tharu, a Muslim woman is Speaker of Parliament, Madhesi leaders are Singh’s staunchest supporters, a Sherpa minister is the voice of her conscience, and the Health Minister is a scientist who refuses funding from a pharmaceutical company.
Despite its sluggish storyline, Singha Durbar had an audience of 6.67 million in the first season and was the fifth most-watched tv show.
Producer Prakash Luintel says the reason for the success is that it is provocatively positive: “There is widespread negativity and disillusionment towards and we are trying to show there are other ways to do politics.”
The other reason for its popularity is the series’ meticulous production values, the taut storyline is supported by excellent acting and direction. Compared to the last season, the plot is even more realistic and delves into the background of the characters.
At Baluwatar, the prime minister herself grapples with issues that many working women face: the need to care for her family despite her hectic schedule, the overt jealousy of a less famous husband whom she calls ‘timi’ and sometimes cooks cooks for.
By the end of Episode 3, Prime Minister Singh brings together the leaders of South Asian countries to collectively pressure Gulf nations to treat migrant workers better. The message: nothing is impossible in actual day-to-day politics. More than the Nepali public, this is a must-see for the current political leadership.