Artist Erina Tamrakar’s exhibition In Between the Third Eye opens out the world of women, their feelings and emotions to Kathmandu visitors exposed to the daily grind of a squalid urban life.
Painted in hues of vibrant reds, blues, greens, the audience is compelled to connect with Tamrakar at two levels: sensual portraits that dazzle us and at the same time force us to think deeply about female empowerment and awareness.
“When I paint, I don’t paint with a concept beforehand,” said Tamrakar, who has returned to the exhibition circuit after two years. “It’s like the canvas and I have a conversation. I create as I paint.”
The exhibition contain her works from 2010 right up to some recent paintings, including some from the popular series Third Eye and Mustang which are inspired by her travels (pic, below).
On entering the Park Gallery, the visitor confronts the canvas titled ‘Third Eye’ (pic, top) which is washed in red, and depicts a group of women with their eyes closed, but on each of their forehead the artist has painted the third eye.
“When we have to introspect, we close our eyes,” said Tamrakar for whom the third eye stands for awareness, the ability to know right from wrong. Disheartened by the growing number of cases reported for violence against women, the artist aims to inform her public about the importance of empowering women.
As in her previous works, none of the subjects directly look at the viewer. For Tamrakar, it is her way of making the audience engage with the emotions of her subjects rather than establishing direct contact.
The entire two floor of Park Gallery is filled with Tamrakar’s work, each carries its own message. In some women are on an equal footing with nature, in others the emotions of women are captured in a single artwork.
Tamrakar’s recent works also use monochromes, which portray an evolving society: paintings of women alongside safa tempos that they drive (pic, below). “It’s a step forward for the society,” said the artist. She believes it is only with financial independence that women can fully be independent.
Apart from the theme, what sets Tamrakar’s art apart from her other paintings is her use of black and white. The artist hopes to sum up the torture that Nepalis went through during the five-month blockade with the use of sombre hues. “I didn’t feel like using any other colour at that time,” said Tamrakar, who has an entire series on the blockade, but is keeping it to exhibit them in her future exhibitions.
In Between the Third Eye, Till 19 March, 10.30 am to 6 pm, Park Gallery, Pulchok, (01) 5522307
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